They weren’t just walking past.Rumen8 must be registered to use more than four diet ingredientsRumen8 can be downloaded and used straight away in trial mode but is restricted to four diet ingredients until it is registered. The fact that people were stopping and looking and sort of communicating with each other was what struck me the most. In Switzerland, he said, “I thought the art was interesting. Michigan and in Wilmette, the point wasn’t so much the art as the interaction. I’ve had my fill.”īut to Hanig, whose current Hanig’s Footwear stores are at 875 N. I personally don’t want to see another one. “But in the end, when you get repetitive forms, or you do them dozens of times, you start to get cliche. And as a project manager it was a good project. But there were a lot of good artists who did. “It’s one of those things where as an artist myself I would not have done one. “Instead the auction netted about three and a half million dollars.”Īs much as the project’s popularity on the streets, that dollar figure was what really made it resonate around the country, he said.Īs for the cows as art, “Some of it was good. “Sotheby’s, based on reasonable expectations, expected that the live and the online auction would net a few hundred thousand dollars for charity,” Mason said. The project gave young artists paid opportunities typically, a business would pay $3,500 to sponsor a cow, and $1,000 of that fee would go to an artist selected from a city-compiled pool.Īnd the auction of the cows after the project ended that October was a stunning success. One of them, Edra Soto, was a School of the Art Institute student then, and this summer has a sculpture being featured in Millennium Park. He pointed out that some very talented artists took part in the cow-form adornment. Mason doesn’t sound entirely enamored of the project either, although it had its good points. Still, he didn’t deny that it pleased people, calling it contemporary art as comfort food where “entertainment came before everything else.” “That cheerleading is an effort of the sort once viewed with suspicion by artists.” “The majority had a homogenized jollity that ultimately was about buying, supporting and approving a top-o’-the-world, ain’t-we-grand vision created by the city’s bureau of tourism,” he wrote. Then-Tribune art critic Alan Artner was not impressed, in that summer of ’99. “Art can be light-hearted, witty and clever.” “‘Cows on Parade’ proves that art doesn’t always have to be serious,” he said in the city’s official news release for the event. And also the cows simply came first.Īlso, thought then-mayor Richard M. That’s because cows are “relatable,” he thinks, in ways that furniture is not. “It was virtually identical in the footprint, in sponsorship, in cost and in execution. “It was the same,” said Nathan Mason, who was hired by the culture department to manage the cows project and now is head of public art in the city. The cultural affairs department itself only tried one other time, with a painted furniture project two years after the cows called “Suite Home Chicago.” The city has hosted a number of similar projects since - painted police horses, lighthouses - but none has captured the imagination in quite the same way. “Over the years, people would say, ‘When are you going to bring it back?’” “Nostalgia is a significant part of it,” said Hanig. la vacca” by artist Virginio Ferrari and the “Lady Bug” cow. Those on display will include the “Holy Cow” cow from Harry Caray’s Restaurant, “W. On Monday the group will officially reveal them, not in hopes of catching lightning in a bottle again but merely to commemorate. "Cows on Parade" in Chicago in 1999, including a couple on Michigan Avenue, a LaSalle Bank Marathon cow, "Nine Spotted Lady Bug Cow" on the side of the Talbot Hotel, the Chicago Film Festival cow and "Rhinestone Cowgirl." (Tribune photos)
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